Notice: Copyright Claim
From: Grooveshark.com <copyright@grooveshark.com>
Date: Mon, Sep 27, 2010 at 1:01 PM
Subject: Notice: Copyright Claim
To: "stephencon@gmail.com" <stephencon@gmail.com>
Dear Stephen,
This is to let you know that we have disabled access to the following content as a result of a third party claiming infringement:
Recording Industry Association of America, Inc. (RIAA)
1,000 Miles by Dwight Yoakam on Live from Austin, TX
Bad Journey by Christine McVie on In the Meantime
Givin' It Back by Christine McVie on In the Meantime
So Sincere by Christine McVie on In the Meantime
(You Make Me Feel Like A) Natural Woman by Carole King on The Living Room Tour Disc 2
I Feel the Earth Move by Carole King on The Living Room Tour Disc 2
17 by Kings of Leon on Only By The Night
Little Sister by Dwight Yoakam on Live from Austin, TX
I Am A Rock by Simon & Garfunkel on Live 1969
The Sound Of Silence by Simon & Garfunkel on Live 1969
For Emily, Whenever I May Find by Simon & Garfunkel on Live 1969
El Día de Mi Suerte by Marc Anthony on El Cantante
I'm Your Man by Leonard Cohen on I'm Your Man
Wounded Bird by The Black Crowes on Warpaint
As a result, the ability to upload content has been suspended for the user account stephencon.
The above parties claimed infringement under the Digital Millenium Copyright Act. If you feel this infringement has been filed improperly, you can file a counter notification (http://grooveshark.com/dmca). You can read more about our copyright protection policy by reading our terms of service (http://grooveshark.com/terms).
Sincerely,
Grooveshark
@Kcecelia TKAAR response:
It's probably my enthusiasm for "Laurel Canyon" that made me want to see TKAAR and I was disappointed. Nothing happened in the last act. I didn't find anything cathartic in Julianne Moore's confessional set-piece. The movie was praised as insightful about marriage (gay or straight) but long-married people can practically read each other's minds, communicating with a shrug or a glance, unlike the adolescent out-pourings on-screen. The Mexican gardener sub-plot was telling because everything was played from Moore's point of view. We're meant to laugh at a well-meaning, hard-working character and then feel empathy for the selfish confusion of Moore's. Ruffalo's was the one redeeming performance for me and, especially, my wife who was delighted by his sexual charisma. He was essentially reprising Warren Beatty's performance in "Shampoo." My only real laugh came in his scene with Laser about how he donated sperm for real money - $60 or $90 adjusted for inflation.

